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This is a very interesting question, and one that clearly has no definitive answer, only answers that are right for every individual author. I guess you can imagine which answer is right for me, certainly after my post on the integrity of the author’s voice.

There’s been a discussion on a forum I’ve been on for years, about this very thing, if one should write for a market, regardless if one feels like it, to maximise publishing (and money earning potential), or if one should write what one strongly feels like. I suspect the answer isn’t straightforward, but tied into an individual author’s context. I, for example, don’t “need” to make money from writing, I don’t live off it nor try to, I have a demanding job. Clearly, that puts me in a position where money I make from writing is regarded as luxury, not necessity, and every penny makes me happy because it’s just wonderful to sell stories. That luxury also comes with the luxury of not having to write for a market – at the same time I can’t write for a market anyway, because it’s just not the way my creativity functions.

I am fascinated by authors who can write for markets, and turn out stories that might not have been in their heart. I could never do that, since I regard writing as an art, not a craft, and art always comes from deep within. Motivation, emotion and creativity are strongly interconnected.

So, do I want to make a judgement of what is “better”? I am inclined to do so, because if I am anything then a person of strong opinions, but I wouldn’t think that it is fair, not regarding the context that every individual exists in. Do I make a judgement for myself? Yes, I feel confident to do so.

I, personally, would never write for a market, and I only write what I want to, what I feel strongly about, what I am emotionally involved in, and what is in my heart, so to speak. Let’s face it, when I started writing military gay erotic fiction, it wasn’t really a genre. No one specialised in it, and anything military was only used as a backdrop like a stage prop. Let’s not get started with the factual errors in some stories, either. I still wrote it, though, because that’s where my interest lies and where my expertise is now. As Marquesate, I certainly won’t write anything else, because that’s what Marquesate does.

I firmly believe that if one writes what one strongly feels about, then there will be readers. Because a story comes to life when the author truly feels for the characters, the plot, the setting and believes in their own story. If the same goes for something written for a market? I wouldn’t want to answer that, because that is a question that each reader would have to answer for themselves.

I would still write what I write even if no one wanted to read it. 🙂

Photo copyright its copyright owner. Without permission.

During my extensive research for my upcoming novel Basic Training I read a lot about the Passing Out parade of new Royal Marines, after their 32 week long Basic Training. The first part of the novel plays in Lympstone, during Basic Training, and here is a link to the MoD Royal Marines website on the History of the Commando Training Centre.

I also found some very useful videos on YouTube, as I mention in an earlier post, using YouTube for writing research is an excellent way to gain insights beyond images and words.

This is an excerpt from Basic Training, about Pass Out week and King’s Squad (Excerpt copyright © Marquesate 2009):

As expected, this earned Col some questioning looks, and he went on to explain the passing out tradition of the Royal Marines, which originated with a visit by King George V in 1918 to the Royal Marines in Deal in Kent, where he inspected the recruit squads. To mark his visit, the King decreed that each passing-out platoon should be called The King’s Squadron, a tradition that continued to the present day, and which meant that successful recruits would spend the last week in special accommodation in the King’s Squad wing.

The following photos are all from the MoD website. Copyright © MoD. Without permission.

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The first one was found by my friend, and I shall be eternally thankful for that. Actually, I think he found the second one, too. All hail!

Enjoy those two delectable specimen.

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Copyright © their respective copyright owners. Without permission.

hmm-book-cover_sJen posted an absolutely wonderful review of Her Majesty’s Men on her review blog Well Read.

Jen reviewed Her Majesty’s Men because she had read Code of Honour in the I Do anthology, and I am extremely thrilled that she liked Tom and Alex’s story just as much as Joe and Roux’s.

This is a brilliant quote from her review, which made me grin:

Many of you who read this blog will know that I like my heroes to be ‘real men’; to be masculine and to be comfortable in their alpha status. Well, to get an idea of how manly the characters are in this book, you need to think of the most manly man that you know or have read about and then inject him with three buckets of testosterone. That will give you an idea of the sort of men that Tom and Alex are in this book. Marvellous.

Fantastic, isn’t it? The rest of her review is well worth a read, and so is her entire blog. Jen’s reviews are always witty and interesting to read.

Thanks, Jen, for the vote of Excellent. I close with another quote:

Apart from that, this book was a rough ride from start to finish. I loved it because violence, pain and brutality are issues that don’t bother me and I welcomed a read that was so different from the normal m/m fayre. If you don’t like those things in your romance, then I suggest you stay away from Her Majesty’s Men. If you like books filled to the brim with testosterone, packed with action with men who are a mix of arrogant and confident on the outside, yet a seething mass of insecurity and self-hatred on the inside, then this book is for you. For those people, I highly recommend you read this and it gets a grade of ‘Excellent’ from me.

Quotes copyright Jen from her blog Well Read. Read the full review.

Her Majesty’s Men is available as e-book and paperback from the following places. It can be ordered directly from the printer, where it is available both in print and as an e-version.

Her Majesty’s Men is available in paperback from all known book stores, such as Amazon, but please consider to either buy directly from the publisher or the printer, or from independent bookstores or chains other than Amazon. Here is a collection for you, in addition to buying directly from the printer:

enemy-at-the-gatesI saw this film by Jean-Jaques Annaud when it came out in the cinemas. What I remember most vividly is the opening scene. Certainly on the big screen it was amazing – because it was so utterly horrifying.

However, I felt that from then on it lost its impact. So much so that while I kind of enjoyed it at the cinema, I never bothered to buy the DVD until it was really cheap to add to my substantial war and action film collection.

The cast is excellent, such as Jude Law, Ralph Fiennes, Ed Harris, Rachel Weisz, but it didn’t grip me beyond being interesting.

Amazon’s reviewer Jeff Shannon wrote a review that I very much agree with:

Enemy at the Gates opens with a pivotal event of World War II–the German invasion of Stalingrad–recreated in Saving Private Ryan-like epic scale as ill-trained Russian soldiers face German attack or punitive execution if they flee from the enemy’s advance. Director Jean-Jacques Annaud captures this madness with urgent authenticity, creating a massive context for a more intimate battle waged amidst the city’s ruins. Embellished from its basis in fact, the story shifts to an intense cat-and-mouse game between a Russian shepherd raised to iconic fame, and a German marksman whose skill is unmatched in its lethal precision. Vassily Zaitzev (Jude Law) has been sniping Nazis one bullet at a time, while the German Major Konig (Ed Harris) has been assigned to kill Vassily and spare Hitler from further embarrassment. There’s love in this war, too, as Vassily connects with a woman soldier (Rachel Weisz), but she is also loved by Danilov (Joseph Fiennes), the Soviet officer who promotes his friend Vassily as Russia’s much-needed hero. This romantic rivalry lends marginal interest to the central plot, but it’s not enough to make this a classic war film. Instead it’s a taut, well-made suspense thriller isolated within an epic battle, and although Annaud and cowriter Alain Godard (drawing from William Craig’s book and David L Robbins’ novel The War of the Rats) fail to connect the parallel plots with any lasting impact, the production is never less than impressive. Highly conventional but handled with intelligence and superior craftsmanship, this is warfare as strategic entertainment, without compromising warfare as a man-made hell on Earth. —Jeff Shannon, Amazon.com

It is worth buying the film, because you can get the DVD cheap nowadays. If only for the opening scene.

monk-writingEveryone who knows me and interacts with me in matters of my writing, knows how fascinated I am by the diversity of readers’ opinions. Obviously, when I say opinions, I mean constructive criticism/evaluation/appraisal/analysis/etc. There’s not much one can do with “awesome” or “crap”. While the “awesome” is nice, and the “crap” makes me laugh, there’s nothing to get one thinking.

Anyway, I have been blessed with very intensive reader interaction due to Special Forces having been in progress for over three years (and finished this year, thank goodness, never ever again such a gargantuan task), and before that. Through my Camo Men forum, and formerly LiveJournal (which I don’t really use anymore, due to lack of time, you can find me in the Camo Men forum instead) I have been lucky to have a lot of interaction for all of my currently published stories, including Her Majesty’s Men and Code of Honour.

I’ve been moved to laughter, smiles, frowns, and a lot of thinking from readers’ insightful opinions, but I have also lately been fascinated by what feels like an implied demand, albeit never explicit. I sometimes sense it implicitly with texts that are published in a medium that appears volatile: the internet. In the case of Special Forces I have been wondering at times how sometimes the discussion might actually geared (possibly subconsciously) to an implied: “change it!” Probably without the reader even being consciously aware of it.

It’s the nature of the internet to  be volatile. It is not fixed, HTML pages can easily be changed. So, if someone repeatedly claims “this did not work for me for XYZ reasons” does this imply “change it!” or does it not? An interesting thought. Especially since this hardly seems to happen with published stories in a fixed format, such as hardcopy and even e-books.

The medium and the message, are they intricately linked? Yes, I should think so. However, could there be somewhere, lurking, the hope of readers that writing might be changed according to how they feel it should have been? I am not saying that this is the case, but I am saying that I am wondering about it.

Fascinating, it certainly is.

When it comes down to it, I wrote what I wrote the way I wrote it, and if I hadn’t meant to write it the way I wrote it, I wouldn’t have written it. Thus while every opinion is as valid as every other, the text will still remain as it is. Volatile medium or not, the text is the text is the text. I believe there must be a moment in time when the text is fixed, and the artistic vision has manifested itself.

I still wonder, though: is there an implied demand at times or isn’t? What do others think?

I realised the other day that I have a lot of French Foreign Legion posts scattered about. Since one can never have enough of the FLL, I am writing a meta post, that pulls them all together. But before I do that, let me ask you a question: how many legionnaires fit into a portaloo? Answer: many! 😀

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Photo copyright their copyright owner. Without permission.

April 2009:
French Foreign Legion: Sexy Legionnaires (photos)

January 2009:
French Foreign Legion Recruitment Video

December 2008:
French Foreign Legion – Joining Up

December 2008:
French Foreign Legion: Daily Schedule

November 2008:
French Foreign Legion: Ranks

November 2008:
The Legionnaire’s Code of Honour

November 2008:
Légion étrangère: Soldiers and Regiments of the French Foreign Legion

November 2008:
French Foreign Legion – Beautiful Bodies (photos)

November 2008:
French Foreign Legion video: Warriors of the FLL

October 2008:
French Foreign Legion – Names and Identities

September 2008:
Homosexuality in the French Foreign Legion

September 2008:
The French Foreign Legion – song (video)

September 2008:
French Foreign Legion – Documentary (video)

September 2008:
The French Foreign Legion – Légion étrangère

Can you tell I was doing most of y research on the FLL when I wrote Code of Honour?

A friend posted the following in my camo men forum, and they are too good not to share. These are vintage photos from WWII showing GIs having a more of respite from the hellish fighting during the battle for Guadalcanal. They are from Life magazine, as far as I know.

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Without permission.

First up a joke that I found on Whichendbites‘ blog:

The Queen is inspecting 3 armed forces personnel, 1 from each of her fighting forces.

She asks each one what they would do if they woke up and found a camel spider in their tent on operations?

The squaddie says, “I’d reach over, grab my bayonet and stab it to death!”

The matelot says, “I’d reach over, grab my boot and batter it to death !”

The airman says, “I’d reach over, pick up my phone, call reception and ask……..

“Who the f*** has put a tent up in my hotel room?”

😀

And to stay with the pilot theme, have some of them!

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Copyright © with their respective copyright owners. Withour permission.

Zero at the BoneThis post is a rare occurrence, trust me. Anyone who knows me knows that I don’t read fiction. Not anymore, since my postgrad degree in English Lit (and a few other choice subjects). Well, I don’t read fiction most of the time, but occasionally, I make an exception, and this happens when there is an exceptional story that is being recced to me by those whom I trust. Most of those are my own readers (after all, they know what I write so they’d know what I like) and so it was this time, we were discussing fiction in my forum, and lo and behold, someone mentions Zero at the Bone by Jane Seville.

My goodness, am I glad that they did!

If you like what I am writing, if you like your men as real men and not girlified, if you like action and adventure and not a single pulled punch, then read this book, it’s fantastic.

The character of D is brilliant (I don’t agree with writing out the accent, I found that distracting, but in the end I didn’t mind, because it was just so great!

Jane managed to write really lifelike and great secondary and tertiary characters, too. I guess that’s rare. I loved X, a great characters and the villains were properly villainous. I love the fact people swear and shout and say nasty things and do even nastier ones.  She really doesn’t pull her punches and hooray for that.

I was awestruck at times at her action ideas, and trust me that says something, because I take great care to have my action believable, and boy, did she manage to keep hers believable, despite the craziness of it all. Pure brilliance.

This is easily the best M/M book that I know of.

Elisa Rolle has a nice review of ZATB, and Jen has a really great one.

This isn’t a Romance, this is much better. This is an amazing love story with fantastic action.

There were moments when I thought “oh damn, I wish I had written that” and that’s meant as a huge compliment. Sucked me right in on the first page and spit me back out, 300 pages later, dishevelled, exhausted and very satisfied.

http://www.dreamspinnerpress.com/currenttitles/zeroatthebone/zeroatthebonebuynow.htm

http://www.amazon.com/Zero-at-Bone-Jane-Seville/dp/1935192809/

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I have been privy to many a conversation, discussion and plain annoyed rant about the simplification and standardisation of the author’s art (words! voice! style!) as it is employed by numerous publishers.

I shall not name any names nor point any fingers, but this topic really is extremely close to my heart. The policy to “de-was” by many publishers is not only shocking, but also ridiculous, and basically results in a text that has no “was”. I assume that every reader can easily imagine what a sad and simplified text that would be, if the author’s craft is taken away and instead maimed and mangled into a misunderstood mould of what language should look like.

Writing is Art. As much or as little as painting or singing or drawing or sculpting or any creative endeavour that taps into the richness of the creator’s imagination and allows us to see the world through the artist’s eyes.

Language is Art. Language is the tool of the writer as Artist, like the colour palette and the brushes are for the painter. You reduce the tools to a standardised minimum and your colourful painting, bursting with life and emotions, is turned into a poor caricature of its self.

Authors should have a distinctive  voice. If they don’t then they are no artists, but as mass produced as a Hollywood plastic surgeried “beauty”, to please the masses. The integrity of the author’s voice is more important to me than anything else, and part of this integrity is the choice to write what I want to write and what I strongly feel about writing, and not anything/something as sterile as “the market” might demand. That’s not art, that’s a cheap sell-out.

Because this is what makes literature fascinating, versatile and rich; this is what gives every reader something to like or to dislike. This is what Art is, to express oneself, and to find one’s artistic integrity.

As for what this means for Marquesate: I rather be less commercially successful than sacrifice the integrity of my writing and thus my Art. Take it or leave it, like my writing or dislike it, but this is a promise.

Where the Herc is my favourite airplane of the British Forces, the Chinook is my favourite chopper.

“A Chinook CH47 helicopter releases decoy flares whilst flying over the desert in Afghanistan in support of British troops in Helmand province.”

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The Boeing CH-47 Chinook is a versatile, twin-engine, tandem rotor heavy-lift helicopter. Its top speed of 170 knots (196 mph, 315 km/h) was faster than utility and attack helicopters of the 1960s and even many of today. Its primary roles include troop movement, artillery emplacement and battlefield resupply. It has a wide loading ramp at the rear of the fuselage and three external-cargo hooks.

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As Mr M always says, when you’re in it it feels as if it shouldn’t be able to fly. 😉

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All images copyright MoD, Crown Copyright.

New additions to the MoD Defence Image Database.

A Royal Marine recruit from 970 Troop during an exercise at Okehampton ranges. Over a 32 week period, recruits to the Royal Marines are tested to the full on one of the most demanding courses in the military anywhere. The motto at the RM Training Centre at Lympstone is ‘Cheerfulness through Adversity’.

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Photo by LA(Phot) Jennie Burn, Royal Navy, Crown Copyright

The following guy isn’t “pretty” (thank goodness …) and not even good looking, but it’s a very striking portrait.

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Photo by Cpl Ian Forsyth RLC, Army, Crown Copyright

“A slipping gear could let your M203 grenade launcher fire when you least expect it. That would make you quite unpopular in what’s left of your unit.”
-Army’s magazine of preventive maintenance.

“Aim towards the Enemy.”
-Instruction printed on US Rocket Launcher

“When the pin is pulled, Mr. Grenade is not our friend.
-U.S. Marine Corps

“Cluster bombing from B-52s is very, very accurate. The bombs always hit the ground.”
-U.S. Air Force

“If the enemy is in range, so are you.”
-Infantry Journal

“It is generally inadvisable to eject directly over the area you just bombed.”
-U.S. A ir Force Manual

“Whoever said the pen is mightier than the sword obviously never encountered automatic weapons.”
-Gen. MacArthur

“Try to look unimportant; they may be low on ammo.”
-Infantry Journal

“You, you, and you . . . Panic. The rest of you, come with me.”
-U.S. Marine Corp Gunnery Sgt.

“Tracers work both ways.”
-U.S. Army Ordnance

“Five second fuses only last three seconds.”
-Infantry Journal

“Don’t ever be the first, don’t ever be the last, and don’t ever volunteer to do anything.”
-U. S Navy Swabbie

“Bravery is when you’re the only one who knows you’re afraid.”
-David Hackworth

“If your attack is going too well, you’re walking into an ambush.”
-Infantry Journal

“No combat ready unit has ever passed inspection.”
-Joe Gay

“Any ship can be a minesweeper… once.”
-Anon

“Never tell the Platoon Sergeant you have nothing to do.”
-Unknown Marine Recruit

“Don’t draw fire; it irritates the people around you.”
-Your Buddies

This made me laugh – a lot. 😀 Bitchfest!

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Images copyright © their respective copyright owners.